Ink and opaque watercolor on paper

7 7/8 x 4 3/8 in.  (20 x 11.1 cm.)

Rubin-Ladd Foundation no. I-1415-2, 2015-present.

Kakubha Ragini, associated with the early afternoon, brings forth a mood of love and romance. The paintings often depict a woman engaged in activities that convey sentiments of love or yearning, portraying scenes from mythology or daily life that encapsulate the essence of this musical mode. Peacocks hold significant symbolism in Kakubha Ragini paintings, representing the theme of longing. The lady's gaze, flowers in hand, and a seemingly precarious stance all contribute to portraying the depth of her longing. The sense of isolation is further emphasized by the symbolic garlands she holds, signifying the love and passion she aspires for, which may remain elusive.

The symmetrically rendered sky and trees elegantly frame the entire composition, contributing to a sense of visual harmony. The meticulous depiction of birds in the waterbody, accompanied by lotus flowers, further adds metaphorical depth to the artwork, suggesting themes of love and companionship. The overall composition not only captures the essence of the musical mode but also weaves a tapestry of symbolic elements that enrich the viewer's experience, inviting contemplation on the interconnected themes of nature, love, and longing.

Refer Khandwala, Paintings of Bygone Years, 1991, plate V, pp 30,  for a peculiar Kakubha Ragini painting from the deccan. Khandavala points out how the deccan style differs from the folkish and refined style of the Raghogarh.